Posted in About me, Reflection

My favorites of 2013

I thought about doing a reflective, sentimental year-in-review, but then I said, “ahh, forget it!” and decided to just highlight my favorite things of the past year.  (I’m leaving the sentimentality to the last paragraph!) This is going to be a hodgepodge of real life and pop culture and just about everything else, but these are the things that made 2013 fun for me:

Continue reading “My favorites of 2013”

Posted in Reading, Writing

The POV debate

As I have stated in a previous entry, I’ve had a long-time ban on books written in first person POV (known as FPPOV for the rest of this entry).  That ban ended, though, upon giving in and reading Colleen Hoover’s Hopeless, because then I read Slammed and Point of Retreat.  This past weekend, I read John Green’s The Fault in Our Stars, which is another book written in FPPOV, and also another book that had a gutting, heart-wrenching effect on me.

So all this crying I’ve been doing over these books lately – all written in FPPOV, no less – have me thinking:  is FPPOV the new “thing” in popular fiction?  Because all of these books that have knocked me to my knees with emotion are best sellers, and they’re all written in first person.   Is that where it’s at now in the world of fiction?

I’m struggling to write my own book.  Each and every sentence feels like a monumental task because I’m still trying to find my characters’ voices.  The idea of just one voice, flowing so freely in “me” speak, is appealing.  But I’m a third person kind of girl.  I love third person.  I’ve embraced it my entire writing life.  Third person POV and the Oxford comma are my two favorite parts of the writing process.  Can I write my story, and tell it as authentically as I want to, if I’m only inside one character’s head and only sharing her voice?  One of the reasons I love writing romances is because I have two characters who are world apart at the beginning who have to find their way to a spot where their orbits intersect.  If I’m only sharing one voice and one character’s thoughts, I can’t do that.

So what’s the answer – is FPPOV the way to go now?  Do readers have a particular narrative that they prefer?  Am I using this debate as just an excuse to put off writing even more?  I need answers!